This would turn out to be The Byrds' final west coast run for Bill Graham, who would close both Fillmores the following year. Presented here is opening night of a four night engagement at Fillmore West when The Byrds headlined a triple bill that also featured Big Brother & The Holding Company and Commander Cody & His Lost Planet Airmen. The Byrds were one of very few bands capable of forging both a spiritual and musical unity between the two decades and both critics and fans agreed that this lineup was more accomplished in concert than any previous configuration of The Byrds. They would experience wildly enthusiastic audiences nearly everywhere they played especially in Europe where their popularity had never really waned. This was a key ingredient to the cohesiveness and strength of The Byrds live performances during this era. He was equally potent in both acoustic and electric settings and possessed the all-too-rare ability to think of a soulful unified sound. White was an utterly unique talent with blazing guitar chops, a razor sharp sound and astounding musical sensibilities. It was White's innovative string bending techniques, combined with McGuinn's signature sound, that extended the band's explorations of country music within a heavier rock framework. Much credit goes to McGuinn for maintaining a vision for the group and keeping this lineup together, but the secret weapon was guitarist Clarence White. It is no wonder that this occurred, as Roger McGuinn, Clarence White, Gene Parsons (no relation to Gram) and Skip Battin would indeed become the most enduring lineup of The Byrds, performing and recording together from September of 1969 well into 1972. An extensive touring schedule during this time also helped develop a new legion of fans and The Byrds were finally gaining a deserved reputation as a compelling live band. Released a month after the Fillmore West set presented here, the album featured both live and studio recordings with all four members contributing material. When many of the band's contemporaries had split up or were nearing the end of their creativity, the double album Untitled would rejuvenate the band's following. ![]() Preparing for the release of a new album and with Roger McGuinn the subject of Rolling Stone magazine's monthly interview, August of 1970 would prove a pivotal time for The Byrds. In addition to the regular CD release, Live at Royal Albert Hall 1971 was also released as a double album vinyl LP.Roger McGuinn - guitar, vocals Clarence White - guitar, mandolin, vocals Skip Battin - bass, vocals Gene Parsons - drums, harmonica, vocals ![]() Although the tapes had been in lead guitarist Roger McGuinn's possession since the concert took place, the album represents the first official release of all tracks. ![]() The album consists of recordings from the band's appearance at the Royal Albert Hall in London, England on May 13, 1971. Live at Royal Albert Hall is a live album by the American rock band the Byrds, released in 2008 on Sundazed Records. Folk rock, country rock, bluegrass, psychedelic rock
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